
| RUSSIAN | NCCA-KALININGRAD.RU | COMMENTS |
This Electronic Museum Of Lingua-Acoustic Space "GLUKHOMANIA.RU" is the first to appear in Russia with such a scope and range of authors. It’s purpose is to give Russians a feeling for a new phenomenon of contemporary literature and art: international sound poetry. The practical part (set of 4 CDs in off-line edition) represents the sound poetry productions of one hundred and ten poets from twenty-two countries, who currently are working in this area and related the audio-art fields. The theoretical base of the Museum (in off-line edition - the anthology on English / Russian) includes essays by leading sound poets and researchers of this trend, dedicated both to the issues of the genre and the history of sound poetry development in different countries. This initial enterprise in sound poetry will let the Russian reader/listener trace the ongoing developments in the historical field of artistic goals and outline the goals that the contemporary experimental poets set for themselves. All the audio recordings and articles have been obtained directly from the authors especially for the program of presentation the art of sound poetry in Russia by the Kaliningrad Branch of the National Center for Contemporary Art.
The edition is recommended by the Ministry of Culture of the Russian Federation for a wide circle of readers interested in the aesthetics of innovative forms of literary activities and art of the late XX century.
Web-edition:
“GLUKHOMANIA.RU” An Electronic Museum of
Lingua-Acoustic Space
Curated by Dmitry BULATOV center@ncca.koenig.su
Web-mastering by Yevgeny Palamarchuk
Material preparing by Yulia
OVSYANNIKOVA
International Expert Council:
Dr. Prof. Thomas BELL
(USA)
Dmitry BULATOV (Russia)
Warren BURT (Australia)
Philippe CASTELLIN (France)
Dr. Prof. Teddy HULTBERG (Sweden)
Dr. Prof. Steve McCAFFERY
(Canada)
Dr. Prof. Philadelpho MENEZES
(Brazil)
Enzo MINARELLI (Italy)
Xavier SABATER (Spain)
Dr. Christian SCHOLZ (Germany)
Dr. Prof. Endre SZKAROSI (Hungary)
Lawrence UPTON (Great Britain)
Larry WENDT (USA)
The National Center for Contemporary Art (Kaliningrad Branch) gratefully acknowledges the financial support of the Ministry of Culture of the Russian Federation and the Open Society Institute (OSIAF - Moscow).
Published with the assistance
of:
The Ministry of Culture of the Russian Federation
The Open Society Institute / Assistance Foundation (OSIAF
– Moscow)
The National Center for Contemporary Art (Moscow)
The British Council (Moscow)
Goethe-Institute (St. Petersburg Branch)
The Swedish Institute (Stockholm)
French Cultural Center (Moscow)

